Everyday 3,000 children start consume, most them between the ages of 10 and 18. These kids cover for 90 per centum of all new smokers. In fact, 90 portion of all adult smokers said that they first lit up as teenagers (Roberts). These statistics clearly show that young slew ar the prime target in the tobacco wars. The cig artte manufacturers may deny it, unless advertising and promotion play a vital part in making these facts a frankness (Clinton vs. Camel). The kings of these media ploys are Marlboro and Camel. Marlboro uses a fictional western office called The Marlboro Man, musical theme Camel uses Joe Camel, a high rolling, and swinging cartoon computer address. Joe Camel, the smooth character from R.J. Reynolds, who is shown as a dromedary with complete style has been attacked by m whatever Tobacco-Free Kids organizations as a major influence on the children of America. Dr. Lonnie Bristow, AMA (American medical checkup Association) spokesman, remarks, To kids, cute cartoon characters mean that the harvest is harmless, but cigarettes are not harmless. They have to grapple that their ads are influencing the young person nether 18 to begin smoking(Breo). Researchers at the Medical College of Georgia report that almost as many 6-year olds roll in the hay Joe Camel as know Mickey Mouse (Breo). That is very inglorious information for any parent to hear.
The industry denies that these symbols target tidy sum under 21 and claim that their advertising goal is merely to incite brand loyalty. So what do the tobacco companies do to wait by their industry alive and well? Seemingl y, they go toward a commercialize that is n! ot broady aware of the harm that cigarettes are resourceful of inflicting. Next to addiction, the tobacco industry depends on advertising as its most powerful tool in maintaining its success. Addiction is what keeps citizenry smoking day after... If you want to get a undecomposed essay, order it on our website: OrderCustomPaper.com
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