Crime and Punishment, Fathers and Sons, We Essay -- essays research pa

Brilliance surely comes with a price. Often a relay station is, in his own right, an absolute genius, but for this gift of vision, he essential remain isolated for eternity. Crime and Punishment (1886), by Fyodor Dostoevsky, depicts a leanness stricken young macrocosm who determines a revolutionary theory of the perspicacity of a criminal. Despite his psychological insight, Raskolnikov is alienated from society, and finally force to shield his theory upon himself. Ivan Turgenevs Bazarov, in Fathers and Sons (1862), pioneers the anarchistic philosophy of nihilism, depending entirely on science and reason, but ends up falling passionately in fuck and then cast out, by death, from the rigidity of thought he held so dear. D-503, the main character of Yevgeny Zamyatins We (1921), discovers an immense and rigid counterculture and drowns himself in it, further to surface without anyone with whom to relate. Each author suggests the irony of a prophetic discernment being wasted and outcast among ordinary men.Raskolnikov, a former student, forced to drop out of the university because he is unable to afford the tuition, is forced to ready part-time with his friend Razumihin as a translator. Through this endeavor, Raskolnikov, or Rodya as his mother calls him, becomes well versed in the literature and existentialist philosophies of the time. written material to a local newspaper, Rodya ventures to propose a superman theory analogous to that of Nietzsche, made popular around the time Dostoevsky wrote the novel. I only cerebrate in my leading idea that men are in planetary divided by a law of nature into two categories, wanting(p) (ordinary) and men who have the gift or the talent to utter a new word. This principle, that man is simply either ordinary or extraordinary, special by rules and boundaries or allowed to transgress these barriers en route to his planned greater goal for humanity, gains Raskolnikov little profit or renown. Though the extraordina ry man theory could easily be applied to Napoleon, as is done in Rodyas thesis, few of Dostoevskys characters accept its revolutionary psychological entree to criminal behavior. Only the lead detective, Porfiry Petrovich, comes to accept Raskolnikovs approach. This parallel epiphany is ironic, indeed, because throughout the novel, Rodya and Porfiry are cast as foils. Even this revelation, though... ...ian author, Dostoevsky, Turgenev, and Zamyatin, alienates true visionaries from their natural bewilder at the head of society and implies a theme of the perils of idealism. Raskolnikov discovers a rationale for committing crimes in the name of a greater good, only to also discover the theorys incredibly difficult guidelines of extraordinary men through self-experimentation. Bazarovs nihilism and rationality is entirely contradicted by his adoption of love story in some circumstances, and the impossibility of nihilism is shown through his ignorance of this contradiction. D-503 awake ns within himself a long-absent human nature with unlimited creative potential, only to realize its dangerous, anarchistic possibilities. Each protagonist comes across a revolutionary idea, only to eventually be dismissed, and ultimately forgotten, by society. Fyodor Dostoevsky, Crime and Punishment (New York, NY Bantam Doubleday dingle Publishing Group, Inc., 1981) 243.Dostoevsky 63.Dostoevsky 387.Ivan Turgenev, Fathers and Sons (New York, NY W.W. Norton & Company, 1996) 18.Turgenev 138.Turgenev 148.Yevgeny Zamyatin, We (New York, NY Avon Books, Inc., 1972) 56.Zamyatin 177.Zamyatin 231.